Theatre is the
art of giving life in performance to dramatic literature. Production is at
the very center of our award-winning Theatre and Dance program.
Each season UAA Theatre and Dance produces four plays and two
dance concerts on its "modified thrust" Mainstage, and in the Jerry
Harper Studio Theatre, a fully-equipped, black-box space.
Student-directed scenes, one-acts, and full-length plays are also presented
yearly in the Harper. Department plays are cast at open auditions,
and on average more than 100 majors, non-majors and members of the
community are involved in our productions each year. All Theatre and
Dance majors are required to participate in Mainstage productions
and/or related departmental activities.
An introduction to basic acting techniques with emphasis on creativity, concentration, relaxation, physical and vocal awareness, and the Stanislavsky method of acting.
An introduction to basic acting techniques with emphasis on creativity, concentration, relaxation, physical and vocal awareness, and the Stanislavsky method of acting.
An introduction to basic acting techniques with emphasis on creativity, concentration, relaxation, physical and vocal awareness, and the Stanislavsky method of acting.
An introduction to basic acting techniques with emphasis on creativity, concentration, relaxation, physical and vocal awareness, and the Stanislavsky method of acting.
Introduces the vocabulary, variety of movement styles and performance techniques inherent in American musical theatre, including the ability to vocalize correctly during movement. Covers a range of time periods from the 1920s to the present. Special Note: May be repeated three times for credit. Crosslisted with DNCE A124.
Introduces the vocabulary, variety of movement styles and performance techniques inherent in American musical theatre, including the ability to vocalize correctly during movement. Covers a range of time periods from the 1920s to the present. Special Note: May be repeated three times for credit. Crosslisted with DNCE A124.
Introduction to the mechanics of stage production. Emphasizes safe and practical use of tools, equipment and materials employed in scene shop, lighting, backstage and costume work. Students master basic practices and techniques required for effective production work in each area.
Introduction to the mechanics of stage production. Emphasizes safe and practical use of tools, equipment and materials employed in scene shop, lighting, backstage and costume work. Students master basic practices and techniques required for effective production work in each area.
Basic principles of costume design with emphasis on research and rendering techniques. Overall study of costume and fashion history and its relation to theatre productions and designs.
Basic principles of costume design with emphasis on research and rendering techniques. Overall study of costume and fashion history and its relation to theatre productions and designs.
Basic principles of costume design with emphasis on research and rendering techniques. Overall study of costume and fashion history and its relation to theatre productions and designs.
Participation in mainstage productions as member of technical staff. Credit for scene crew, light crew, props, costume crew, makeup crew, stage management, and publicity. Special Note: May be repeated for a maximum of 9 credits. May be stacked with: THR A495
Participation in mainstage productions as member of technical staff. Credit for scene crew, light crew, props, costume crew, makeup crew, stage management, and publicity. Special Note: May be repeated for a maximum of 9 credits. May be stacked with: THR A495
Explores the role and function of the stage manager in theatrical production. Provides the basic skills to work in the field of stage management. Emphasis on organization, documentation, and dissemination of information.
Explores the role and function of the stage manager in theatrical production. Provides the basic skills to work in the field of stage management. Emphasis on organization, documentation, and dissemination of information.
A survey course of dramatic literature from Greek drama to 1800. Emphasis is placed upon the playwrights' work and relationship to the production of these plays in their own time and in today's theatre. Registration Restrictions: Junior or senior standing and the completion of GER Tier 1 Written Communication requirements.
A survey course of dramatic literature from Greek drama to 1800. Emphasis is placed upon the playwrights' work and relationship to the production of these plays in their own time and in today's theatre. Registration Restrictions: Junior or senior standing and the completion of GER Tier 1 Written Communication requirements.
Improvisational technique created by Sanford Meisner to help actors feel, rather than think, their way through a scene by responding to inner impulses. Registration Restrictions: Instructor permission.
Improvisational technique created by Sanford Meisner to help actors feel, rather than think, their way through a scene by responding to inner impulses. Registration Restrictions: Instructor permission.
Concepts and techniques of 2D and 3D computer-aided drafting. Details language and commands shared by most CAD packages with a focus on technical drawings for layout, design and 3D computer drafting and modeling techniques, with applications to scenic, lighting, and 3D studio arts. Crosslisted with ART A376.
Concepts and techniques of 2D and 3D computer-aided drafting. Details language and commands shared by most CAD packages with a focus on technical drawings for layout, design and 3D computer drafting and modeling techniques, with applications to scenic, lighting, and 3D studio arts. Crosslisted with ART A376.
Performance practicum for juniors and seniors: Advanced participation in mainstage productions as an actor, director, dancer, choreographer or assistant director. Special Note: May be repeated with a change of project for up to 9 credits. Registration Restrictions: Faculty permission and audition. May be stacked with: THR A195
Performance practicum for juniors and seniors: Advanced participation in mainstage productions as an actor, director, dancer, choreographer or assistant director. Special Note: May be repeated with a change of project for up to 9 credits. Registration Restrictions: Faculty permission and audition. May be stacked with: THR A195
Study of theatre history from ancient Greece to 1800. The history and the influence of different cultures, traditions and technology on the development of the theatre as a social institution. Registration Restrictions: Junior or senior standing and the completion of GER Tier 1 Written Communication requirements.
Study of theatre history from ancient Greece to 1800. The history and the influence of different cultures, traditions and technology on the development of the theatre as a social institution. Registration Restrictions: Junior or senior standing and the completion of GER Tier 1 Written Communication requirements.
Advanced technical theatre course with selected emphasis in scenery design, lighting, stagecraft, costume, or directing. Registration Restrictions: Theatre major and junior level.
Advanced technical theatre course with selected emphasis in scenery design, lighting, stagecraft, costume, or directing. Registration Restrictions: Theatre major and junior level.
Current topics in technical theatre theory and practice. Includes studio work. Special Note: May be repeated with change of subtitle for a maximum of 12 credits.
Current topics in technical theatre theory and practice. Includes studio work. Special Note: May be repeated with change of subtitle for a maximum of 12 credits.
Current topics in technical theatre theory and practice. Includes studio work. Special Note: May be repeated with change of subtitle for a maximum of 12 credits.
Technical practicum for juniors and seniors. Emphasis is on participation in a mainstage production as a significant member of the technical/production crew or design team. Special Note: May be repeated with change of project for 9 credits. Registration Restrictions: Permission of instructor. May be stacked with: THR A295
Technical practicum for juniors and seniors. Emphasis is on participation in a mainstage production as a significant member of the technical/production crew or design team. Special Note: May be repeated with change of project for 9 credits. Registration Restrictions: Permission of instructor. May be stacked with: THR A295
Independent research on a specific topic or area of theatre culminating in a research paper. Participation in professional conferences and competition strongly recommended. Registration Restrictions: Junior standing in Theatre and department chair's signature.
Independent research on a specific topic or area of theatre culminating in a research paper. Participation in professional conferences and competition strongly recommended. Registration Restrictions: Junior standing in Theatre and department chair's signature.
Independent or collaborative research project on a specific topic or area of theatre culminating in the presentation of a live theatre performance or design execution. Continuation and application of the research completed in THR A498 and required for the Theatre Honors Program. Participation in professional competitions strongly encouraged. Registration Restrictions: Admission to the Theatre Honors program and department chair's signature.
Independent or collaborative research project on a specific topic or area of theatre culminating in the presentation of a live theatre performance or design execution. Continuation and application of the research completed in THR A498 and required for the Theatre Honors Program. Participation in professional competitions strongly encouraged. Registration Restrictions: Admission to the Theatre Honors program and department chair's signature.