November 19 – December 12, 2014
The works in the exhibition are inspired by debates concerning the socio-political, economic and environmental changes brought about by the rapid expansion of Canada’s natural extraction industries and an ever-expanding network of oil and gas pipelines throughout Northern British Columbia. Both the unprecedented scale and potential consequences of these developments challenge a nuanced perspective of the issues at hand and offer a point of convergence for a timely dialogue about regional, national and global futures.
At a liminal moment in Canadian history, vast swaths of unceded indigenous territory–historically used as trading routes for oolichan oil (“grease trails”)–are now proposed as transport corridors for millions of barrels of crude oil travelling from Alberta to the Northwest coast. As an increasing number of development proposals encroach upon this contested terrain, and as sustainable fisheries and cultural practices are put at risk by increased tanker traffic, it is in rural and remote regions where the impacts of changes to culture, water and land will be most directly felt. At once locally rooted and globally resonant, these developments highlight the complex and inescapable relations between human beings and nature.
As an artist engaged in creative practice-based research, my approach to the questions these developments raise is through representation, through art production both as a material and socially-engaged practice. The works in this exhibition, which include sculptures and weavings composed of copper, oil-based polyurethanes, aluminum and magnetic audio tape, and the videos and photographs stem from my interest in the discourses, experiences and future imaginaries emergent from the temporal and spatial change brought about by the exploitation of the region’s environment. The artworks that aim to provoke thoughtful reflection and exchange are a component of “Trading Routes: Grease Trails, Oil Futures,” an interdisciplinary, federally funded research and creation project that builds on past research and creation projects (“Catch + Release: Mapping Stories of Geographic and Cultural Transition”) addressing cultural mapping and environmental transitions related to the fishing and canning industries of intercultural British Columbia coastal communities.Read more about this exhibit in the UAA Green & Gold